Via Triumohalis | 2018
Video Installation
Concept / Choreography:  Romain Thibaud-Rose |
Production: Junge Choreographische Positionen Frankfurt |
Music: Elisha Kaminer |
Dramaturgy: Helen Brecht |
Interface Designer | Programming: Robert Läßig |
Video: Milica Giacommelli |
Set Design: Salvatore Catinella |
Produced with the the support of Kulturamt Frankfurt a. Main, Hessisches Ministerium für Kunst und Wissenschaft, Atelier Frankfurt e.V., Frankfurt LAB e.V. and the Gallus Theater. 
DÉJEUNER
             2.0|
DÉJEUNER 2.0 | 2017                                                                                                                                                                                                                                                                  
( performance )
"The man is the most mimetic animal and only through the act of miming he gains his first knowledge." Aristotle, poetic
“Remake, reuse, reassemble, recombine – that’s the way to go.” Elaine Frances Horan; Sturtevant
             "The paradox of human being is this situation, being able to define our true self only under the influence of others." Jean Baudrilard
          
DÉJEUNER 2.0 is a performance working as a reproduction of the painting "Déjeuner sur l'herbe" from Edouard Manet.
This work is an attempt to experiment the act of COPYING as an artistic tool and by then question the myth of AUTHENTICITY in the production of an art work. Am i producing constantly new or am I reusing what is already at play? And if I am reusing how to make it then specifically mine?
Déjeuner sur l'herbe

Déjeuner sur l'herbe

(c) Milica Giacomelli | Déjeuner sur l'herbe | Edouard Manet | Romanticism | Romantik | dance performance | Romain Thibaud-Rose | Contemporary Dance

DEUJEUNER2.0_Thibaud-Rose_modifié

DEUJEUNER2.0_Thibaud-Rose_modifié

Déjeuner sur l'herbe

Déjeuner sur l'herbe

(c) Milica Giacomelli | Déjeuner sur l'herbe | Edouard Manet | Romanticism | Romantik | dance performance | Romain Thibaud-Rose | Contemporary Dance

Déjeuner sur l'herbe

Déjeuner sur l'herbe

(c) Milica Giacomelli | Déjeuner sur l'herbe | Edouard Manet | Romanticism | Romantik | dance performance | Romain Thibaud-Rose | Contemporary Dance

Déjeuner sur l'herbe

Déjeuner sur l'herbe

(c) Milica Giacomelli

Déjeuner sur l'herbe | Edouard Manet

Déjeuner sur l'herbe | Edouard Manet

(c) Milica Giacomelli | Déjeuner sur l'herbe | Edouard Manet | Romanticism | Romain Thibaud-Rose | Contemporary Dance

Choreography: Romain Thibaud-Rose |
Performance: Kasia Kizior & Romain Thibaud-Rose |
Music: David Erik Ronner |
Light: Zina Matheke |
Dramaturgy: Teresa Hoffmann |
Video, Photography: Milica Giacomelli |
Produced with the support of the cultural board of the city Frankfurt a. Main, Id_Frankfurt, Z Studio für Proben und Forschung, Atelier Frankfurt e.V. and the Gallus Theater.
VIA TRIUMPHALIS

tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE AESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE AESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHEtHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS EXERCISE OF POWER. tHROUGH THREE DIFFERENT VIDEO SETTINGS, THE AUDIENCE IS INVITED TO DIVE INTO AN INTIMATE DIALOGUE ON THE POLITICAL FIGURE OF THE ACTUAL fRENCH PRESIDENT: eMMANUEL mACRON. wHAT KIND OF SYMBOLS ARE AT PLAY IN THE DISCOURSE AS WELL AS IN THE MEDIATIC PRESENCE OF THIS BODY-POLITIC? hOW REPRESENTATIVE AND INFLUENTIAL SHOULD BE | COULD BE THE ANESTHETIZATION OF THE POLITICAL BODY?tHE VIDEO INSTALLATION „vIA tRIUMPHALIS“ IS DESIGNED AS A COLLAGE, A MULTIDIRECTIONAL AND ASSOCIATIVE ATTEMPT TO PICTURE THE BODY-POLITIC IN ITS E

lesballetsrose.com | (c) Romain Thibaud-Rose | +4915776801878 | thibaud.rose.romain@gmail.com
GARBAGE
 
 
EMBRACE
GARBAGE EMBRACE | 2012 - 2016
( site specific - exhibition )
         " the purpose of playing; whose end, was and is to hold the mirror up to nature, to show virtue her own feature, scorn her
 
own image, and the very age and body of the time his form and pressure."                   
 
                                                                                                                                             Shakespeare, Hamlet
Originally created in 2012 in Frankfurt am Main during the second european financial crisis, this site specific performance designed a new form of dialogue taking place in the modern architecture of our business districts. A dialogue between up and down, between collapse and rise. A communication in form of living sculptures and meditative pictures. Pictures from the past, the present as well as from the future. Animated sculptural entities at hand and in dialogue with the institution of power, of command and of money. 
Since then the performance has been on the road, exploring its malleability and specificity to engage a constant renewed dialogue, sourcing its specific address from the place where it temporarily settle
GARBAGE EMBRACE is a site specific performance for garbage cans where performers, while at first embracing and plugging their body in the object, carry a be loving statement for the multiplicity of human faces constantly challenged and threaten by the on going complexity and progress seeking of our modern societies.
thibaud rose | garbage embrace

thibaud rose | garbage embrace

(c) Kristina Steiner | Romain Thibaud Rose | site specific performance | Frankfurt am Main | ECB EZB BCE | Kulturamt Frankfurt | Tanz Rhein Main |

thibaud rose | garbage embrace

thibaud rose | garbage embrace

(c) Kristina Steiner | Romain Thibaud Rose | site specific performance | Frankfurt am Main | ECB EZB BCE | Kulturamt Frankfurt | Tanz Rhein Main |

thibaud rose | garbage embrace

thibaud rose | garbage embrace

(c) Kristina Steiner | Romain Thibaud Rose | site specific performance | Frankfurt am Main | ECB EZB BCE | Kulturamt Frankfurt | Tanz Rhein Main |

thi_Embrace_2012_0096_Kristina_Stein

thi_Embrace_2012_0096_Kristina_Stein

(c) Kristina Steiner | Romain Thibaud Rose | site specific performance | Frankfurt am Main | ECB EZB BCE | Kulturamt Frankfurt | Tanz Rhein Main |

thibaud rose | garbage embrace

thibaud rose | garbage embrace

(c) Kristina Steiner | Romain Thibaud Rose | site specific performance | Frankfurt am Main | ECB EZB BCE | Kulturamt Frankfurt | Tanz Rhein Main |

thibaud rose | garbage embrace

thibaud rose | garbage embrace

(c) Kristina Steiner | Romain Thibaud Rose | site specific performance | Frankfurt am Main | ECB EZB BCE | Kulturamt Frankfurt | Tanz Rhein Main |

thibaud rose | garbage embrace

thibaud rose | garbage embrace

(c) Kristina Steiner | Romain Thibaud Rose | site specific performance | Frankfurt am Main | ECB EZB BCE | Kulturamt Frankfurt | Tanz Rhein Main |

thibaud rose | garbage embrace

thibaud rose | garbage embrace

(c) Kristina Steiner | Romain Thibaud Rose | site specific performance | Frankfurt am Main | ECB EZB BCE | Kulturamt Frankfurt | Tanz Rhein Main |

Concept and Choreography: Romain Thibaud-Rose |
Performance: Alma Toaspern, David Bauer, Tomaz Simatovic, Ali Aldrawasha, Zoe Albert.|
Photo documentation: Kristina Steiner |
Activated locations since 2012: Frankfurt (Main), Hamburg, Salzburg, Giessen, Paris.
Produced with the support of the cultural board of the city Frankfurt a. Main, Hamburg Entsorgung GmbH, Tanz House Salzburg.
YOURS SINCERELY, ...
YOURS SINCERELY, ...  | 2014 - 2015  
( performance - installation )
         "  Invitation #2 (declinable)
 
I am not who you think I am: a passive force. I can treat, I can speak, I can offer, I can invite. To sum up: I have agency. Belief is the condition for you to gain from my invitation. 
 
                                                  Best regards, Gravity. "
YOURS SINCERELY, ... is an invitation to fall and to explore gravity as a playful partner. Form the first loss of balance, this journey will bring two performers to explore the various in between moments which exist just before touching the ground. Are we falling short, long, individually, collectively, abruptly, smoothly, ...
Once at the bottom both performers will seek strategies to come up again.  And again some times individually and sometimes collectively, they will adjust, intend to stand, they will look at each other, observe the floor, the partner, they want to get free from this command of gravity, they want to get rid of this overwhelming and constantly present force. By myself, with the other one, the journey, starts, this time not so brave and compromising but rather decisive towards it, the wish to restore our own decisional power.
Once they will succeed, once  they will have achieve the rise, the top, the voice of gravity will however catch them back, to bring them again into what seems  the continuous fall and recovery rhythm of life, up and down, back and forth, collapse and erect.
YOURS SINCERELY, ... is among all an attempt to go through playfully an overpowering force and presence, finding the strength both in individual as well as collective moves to go with its constantly waving flow.

Fotos Rolf K. Wegst

Fotos Rolf K. Wegst

Fotos Rolf K. Wegst

Fotos Rolf K. Wegst

Choreography: Romain Thibaud-Rose |
Performance: Teresa Hoffmann, Romain Thibaud-Rose |
Music: Johannes van Bebber, David Erik Ronner |
Light: Zina Matheke |
Produced with the support from the Institute für Angewandte Theaterwissenschaft Gießen, Hessische Theater Akademie, Künstlerhaus Mousonturm e.V., Z Studio für Probe und Forschung.
LUXURIOUS STUDY
Luxurious Study | 2017
work in progress
"Greed, enjoyment,indulgence,"

(c) Leonor Rosario

(c) Leonor Rosario

(c) Leonor Rosario

(c) Leonor Rosario

(c) Leonor Rosario

(c) Leonor Rosario

(c) Leonor Rosario

(c) Leonor Rosario

(c) Leonor Rosario

Choreography:  Romain Thibaud-Rose |
Production: Popeye Hong |
Dramaturgy & Music: David Erik Ronner |
Light: Calvin Lap |
Dance: Celia Weng Ian Loi, Mandy Cheang, Pui Lon Lao |
Produced with the the support of T Theater Macau, the cpie Four Dimension Spatial and the cultural board of  Macao Special Administrative Region of the People's Republic of China. 
 DRAMATURGY 
CHOREOGRAPHIC ASSISTENT
Teresa Hoffmann Choreography    2015 - 2016                                      
PI-ZEPHAL | 
 
Graduation MA Performance Studies - K3, Kampnagel, Hamburg
RELATIONAL MASQUERADE |
 
Festival Limited Edition - K3, Kampnagel, Hamburg
lesballetsrose.com | (c) Romain Thibaud-Rose | +4915776801878 | thibaud.rose.romain@gmail.com
Pi-Cephal

Teresa Hoffmann | Choreographie | K3 | Hamburg |